Davisville

If 2020 had been normal, my plan was to talk about Frankenstein, which the Davis Shakespeare Festival was going to present this fall until the pandemic killed off in-person performances. Rob Salas, co-artistic director and co-founder of the festival, is my guest today, and we still talk about the play by Nick Dear, which is based on the book by Mary Shelley and presents a creature very different than the “green skin and neckbolts” image of the monster in the 1930s movie. We also talk about how the 10-year-old festival is holding up during the pandemic, how they’ve spent 2020, their thoughts about next year (which might still include Frankenstein), how Black Lives Matter has changed their mission, and why they chose Davis as a place to create a professional Equity theater company.

So, what’s your opinion of the Eagles? The band, not the team. How about Emmylou Harris, the unusual pedal steel of the Flying Burrito Brothers, or the pop twang of the Beatles’ “Rocky Raccoon”? If any of this resonates with you, or even simply makes you curious, then today’s guest might interest you: Larry Lobre, a retired administrator at UC Davis, a musician, and an instructor whose next class for the Osher Lifelong Learning Institute at UC Davis in October presents “The Origins and Development of Country Rock Music.” We talk about the genre, what it offers, OLLI, The Flying Burrito Brothers'Gilded Palace of Sin, and the time Merle Haggard, his backseat full of 45 records, drove in to a Signal gas station where Larry was working in Oildale.

The Palms Playhouse, with no clear end to the pandemic in sight, has gone on indefinite hiatus and isn’t renewing its lease for the location in downtown Winters it has called home since moving from Davis in 2002. However, co-owners Nora Cary and Andrew Fridae are keeping the Palms going as an organization. On today’s Davisville we talk with Cary about the pandemic, the last concert they held on March 7, running a for-profit business with no profit, the magic of a good performance, some favorite moments since she and Fridae bought the Palms in 2016, and what might come next. (Photo shows Peter Case onstage at the Palms in July 2019)

Many public statues are being defaced, toppled or removed this summer, and names taken off buildings, as more of America comes to terms with the ingrained racism in the United States that oppresses African-Americans. Statues of Confederate war heroes or slaveholders are particular targets. But this fight over symbols is not new, nor is it external to Davis; this city has had conflicts over symbols like the statue to Gandhi in Central Park (pictured), and over naming a street for Edward Teller, co-inventor of the hydrogen bomb.

Melissa M. Bender, a senior lecturer at UC Davis, co-edited “Contested Commemoration in U.S. History  / Diverging Public Interpretations,” a textbook with 11 essays on topics that go far beyond statues. They vary from movies with an antebellum theme made during Barack Obama’s presidency, to the homes destroyed to create Shenandoah National Park, to the depiction of female U.S. veterans of the Vietnam War, and the fate of a house in Chicago where members of the Black Panthers were killed during gunfire with police in 1969. The subjects today include how to decide what to keep, and why.