Blogs

Tune in to Divine Intervention for a random and rare mix of music -- much new, much rock and pop, mostly stellar... And then, of course, there'll be a blessedly short interlude for our "Vinyl Vespers" feature. This week's pick is pictured here. Let's hope Dr. Evans can give us some sound advice on "the most important institution in the home." Tune in live, 7-9p Pacific. Want replays/playlists? Visit the program page.

Hip-hop/jazz/funk band The Lique (pronounced "leek") will be stopping by KDRT on Friday, Sept 30th, at 1:00 pm to talk with host Dug Deep about the recent release of their debut album, Democracy Manifest. They'll also tell us about some local shows they have lined up, including a performance Friday night at Harlow's in Sacramento.

The Lique hails from Las Vegas, but vocalist/poet Rasar Amani is a native of Sacramento who released 10 albums of hip-hop fused with social commentary and politics while living hereabouts. The Lique gives Rasar's image-filled lyrics a whole new dynamic, and the result is poignant, raucous, and always danceable. Tune in and hear for yourself.

Groove masters The Bumptet  bring reckless sophistication to each performance with an improvisational, genre-bending approach to music. Their compositions range in style and complexity, moving from deep funk grooves to epic rock crescendos to intricate, fusion-esque lines and back again–with improvisation, forward motion, and an in-the-moment attitude as the only constants.

Drawing inspiration from the likes of John Scofield, MMW, Garaj Mahal, the Headhunters, and Phish, the Northern California quintet takes listeners on a spirited journey that must be seen live in order to fully appreciate the level of musicianship and soul they bring to every show.  But don’t expect to hear carbon copy renditions of their tunes on stage.  The Bumptet pride themselves on delivering high energy, improvised sets of funk music with skillfully adept execution (including the occasional foray into the jam band outer stratosphere!).

Jazz goes classical tonight! With Hubert Laws, Claude Bolling, and Bobby McFerrin with Yo Yo Ma. Some bossa nova with Jim Hall and Eriko Ishihara, rumba by Horace Silver. Ella’s live at Budapest, Steven Mayer does improvisations of Art Tatum, and Bobby Watson gives us some “post-Motown bop.” All on Jazz After Dark tonight.  

• Rosemary Clooney With Bing Crosby
• Ella Fitzgerald
• Hubert Laws
• Bobby Watson
• Horace Silver
• Bobby McFerrin with YoYoMa
• Tommy Flanagan
• Steven Mayer
• Eriko Ishihara
• Jim Hall
• Claude Bolling

This week on Divine Intervention, we'll dive into much new rock/pop and other assorted sounds (as usual). We'll also try to squeeze in some locally sourced tunes by bands playing soon in D-Town. As for our Vinyl Vespers feature, this one's for the ladies! Yes, we have Debbie Drake's advice on keeping the ol' hubby happy--timeless tips from the past century! This is not to be missed, especially if you're having trouble keeping your romeo from roaming! Tune in live, 7-9p Pacific. Want replay? Visit the program page.

Some great performers tonight! Vocals, Dixieland, soul jazz, funk, and more.

• King Cole Trio
• Sweet Emma & Her Dixieland Boys
• Percy Humphrey's Crescent City Joymakers
• Ella Fitzgerald
• Arnett Cobb
• Anita O'Day
• Sam Lazar
• Count Basie and His Orchestra
• Chico Hamilton Lowell George Little Feat
• Al Di Meola, John McLaughlin & Paco de Lucía
• Billy Taylor & Gerry Mulligan
• Sarah Vaughan
• George Shearing

Drummer/composer Ryan Scott Long continues his life long fascination with music that's led him to study drumming and improvisation with Scott Amendola, Simon Lott, Hamir Atwal, Joshua Smith & William Woodley and many other greats.

With his forward-thinking approach powering what may be an exciting new style of drumming, there's a bright future in store for Ryan as he continues to make his mark.

Ryan has recorded/played with Mike Sopko(Bill Laswell, Dosh), Thomas Pridgen(ex The Mars Volta), Vir McCoy(Hamsa Lila, ex Mickey Hart Band), Michael James Booker, Sam Johnson Band, Beforia, Limnus, Scott Barkan, Delphi Freeman, Anna Borja, Joshua Smith(ex Peter Rowan) & many more.

Most recently Ryan released “Just Like We Used To” with his band BroJazz in May of 2016. BroJazz features Ryan on drums, Ben Wallace-Ailsworth on bass and renowned saxophonist Joshua Smith. Oz Fritz describes BroJazz as “a shapeshifting experiment in postmodern jazz that can change course from a heavy, industrial, noisy, trance groove to soft, light, sweet, delicate, waterfall melodies in the blink of an eye; spin your sensibility 180 degrees then drop you off back home with lyrical tenderness and a wink and a smile.”

Who are these men? Why are they a part of this blog post? Well, one of them—and you can probably guess which by the photo (His eyes follow you around the room!)—is this evening's featured Vinyl Vespers artist. Who knows in what record bin he was languishing, but we've rescued him for tonight's worship service. As for the other guy—the one you either recognize or feel you should—we'll be spinning a tune from a record that sports the most-racy of his album covers. Tune in to find out more on these men, new music, and other assorted fun on Divine Intervention, broadcasting live 7-9p Pacific. For replay info, visit the program page.

I Was on the Moon is the 7th release by Owen Plant, a folk-pop artist from Georgia with a 15 year career. The folk side of Plant takes center stage on his latest release, a melancholy set of laidback, introspective folk songs. The tunes are emotional but not distraught, optimistic but not exuberant, exhibiting small-town charm alongside radio friendly melodies. Overall, the album offers melancholy vibes to put the listener into a peaceful state of mind. The best track on the album is probably "Riverside," a song about finding peace and happiness by living the simple life "down by the riverside," as the chorus sings. "Unfettered Untied" is another fun and upbeat standout, while the slow, deliberate yet thoroughly enjoyable track "Ride With Me" allows Plant to display his considerable vocal talents. The final track on the album is a surreal, mysterious, and nearly pyschadelic take on Bill Withers' classic song "Ain't No Sunshine." For fans of folk artists such as Ben Harper and Amos Lee, I Was on the Moon is definitely an enjoyable and reccommendable listen.