Station Archive

Music programs are only online for two weeks after they are broadcast.

Jazz After Dark, Feb. 24, 2026

Sun, 02/22/2026 - 8:17pm | Don Shor

On tonight's show:

  • Cab Calloway, Minne The Moocher
  • Jimmie Lunceford, My Blue Heaven
  • Dizzy Gillespie with Charlie Parker, Fats Navarro, Red Norvo, Hank Jones: Diga Diga Doo
  • Gene Krupa, Mulligan Stew
  • Count Basie and His Orchestra, Splanky
  • The Vinnie Burke Quartet, Time Out
  • Stan Getz Quartet & Mose Allison, Down Beat
  • Sonny Criss, Memories Of You
  • Zoot Sims, On the Alamo
  • Dinah Washington, Ev'ry Time We Say Goodbye (feat. Quincy Jones and His Orchestra)
  • Grant Green, Born to Be Blue
  • Sarah Vaughan, Till the End of Time
  • Ella Fitzgerald, Midnight Sun (1964 Version)
  • Yusef Lateef, Slippin' And Slidin'

What We Love

Sun, 02/22/2026 - 12:00am | DHS Journalism Class

Today, The News Cycle is all about healthy relationships within teens and all about things people love. We have a conversation with Psychology teacher Holly Istas. Then, Maggie Lubell shares a story on a teacher's passion for his job, and Kriztian Anderson gives us insight on the love of soccer. 

Hosted and Produced by Maya Davis. Packages by Maggie Lubell and Kritzian Anderson. Music by Daniel Ruiz Jimenez. 

 

Divine Intervention (1st/3rd week) for 6:00pm on Feb 20th, 2026

Fri, 02/20/2026 - 8:20pm | Jess Goddésse

It's time for Divine Intervention, bringing you new music from The Darts, Dry Cleaning, Gogol Bordello, Yat-Kha ... a tune or two from our Goddess of the Month, Catherine O'Hara (RIP) ... a Vinyl Vespers questionable spin ... all this music and a Critter Corner spotlight on adoptable animal friends. Listen up at 6p Pacific on KDRT 95.7fm + KDRT.org + anytime via the web/podcasts.

Divine Intervention (1st/3rd week) – The Electric Compost Heap (2nd/4th week) playlist for 02/20/2026

The Epstein files plus music on Listening Lyrics – Feb. 20, 2026

Fri, 02/20/2026 - 3:20pm | Pieter Pastoor

This week's Listening Lyrics is a musical journey through scandal and excess — inspired by the cultural undercurrents reflected in the Epstein files. The show is not about the documents themselves but about the atmosphere they reveal — wealth, temptation, secrecy, exploitation — and how artists have long warned us about these very forces.
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