Station Archive

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Jazz After Dark, Aug. 13, 2024

On tonight's show:

  • Glenn Miller, Johnson Rag
  • Hoagy Carmichael and His Orchestra, Georgia On My Mind
  • Billie Holiday and Her Orchestra, Solitude (78 RPM Version)
  • Eddie "Lockjaw" Davis, Smoke Gets In Your Eyes
  • Bobby Darin, Mack The Knife
  • Nat King Cole, Let There Be Love
  • Erroll Garner, Misty
  • Miles Davis, Blue In Green
  • Ramsey Lewis, The Tennessee Waltz (Live)
  • Ramsey Lewis, I'll Wait For You
  • Budd Johnson, Bill Pemberton, Oliver Jackson & Earl "Fatha" Hines, Summertime
  • Astrud Gilberto, Agua De Beber (feat. Antônio Carlos Jobim)
  • Kenny Burrell, The Preacher
  • Paul Desmond, Modern Jazz Quartet, You Go to My Head
  • Ray Charles, Oh Bess, Where's My Bess

100. That’s a wrap for Timeout Radio

In this 100th episode of Timeout Radio, we bring this show to a close as I highlight its journey over the past 4 years. It has been my privilege to produce and host a radio show that helped connect my community through good and tough times. Hear about how I launched Timeout Radio remotely in 2020 and developed the show's unique voice. A lot has happened in our world since then. Physical distances were magnified by pandemics, misinformation, social injustices, and climate change. And we were brought closer by science, technology, media, and sports. In our place of the week segment we traveled through the airwaves to over 80 places around the globe — from Antarctica to Zurich.

Old time front porch music, on High Country Music Radio!

From the front porch on High Country Music Radio today are Alison Brown with Steve Martin, Sierra Hull, Kaia Kater, Mississippi John Hurt, New Grass Revival, the Carolina Chocolate Drops, David Grier, the Slocan Ramblers, Doc Watson with David Holt, Etta Baker and Taj Mahal, Sister Sadie, and AJ Lee & Blue Summit.

Davisville, Aug. 12, 2024: Through his prolific sketches, Pete Scully is conversing with Davis

Pete Scully, who moved to Davis from London, has been sketching scenes in Davis for most of two decades and counting. He’s not sketching for a salary — his job as chief administrative officer for the Department of Statistics at UC Davis covers that requirement — but as a way of conversing with his surroundings and capturing views that he enjoys and expects might change. He draws for himself but makes his work available on his website and on Instagram, X (ex-Twitter), and Flickr. Today on Davisville we talk about why and what he draws, and where this work might eventually reside. He’s creating a portrait of Davis in the first part of the 21st century.

This photo from his X (ex-Twitter) account shows one of his 21 drawings (so far) of the Varsity Theatre.

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