Listening Lyrics

Recently, KDRT lost two truly wonderful and creative super-volunteers—friends who helped shape the heart and soul of this station. Diane Crumley and Bill Wagman were long-time members of the KDRT family, deeply committed to community radio and to showing up, week after week, with generosity, curiosity, and care.

Today, I’m sharing an hour of upbeat, sing-along music—not to mark a loss, but to celebrate a life well shared. This hour is about the joy, the laughter, and the connection Diane and Bill brought into our lives.

So stay with me, turn it up, sing along—and let’s celebrate them together.

When we talk about Hispanic music in America, we’re talking about a story that’s been here all along.

In the 1950s and ’60s, this music lived mostly inside the community. Mexican rancheras and mariachi carried stories of home and heartbreak. Cuban rhythms like mambo and cha-cha-chá filled dance halls. Spanish-language radio became a cultural lifeline.

By the 1970s, identity moved front and center. The Chicano movement gave music a political voice. Santana blended Latin rhythms with rock, and salsa exploded in New York. This music wasn’t asking for permission anymore — it was claiming space.

In the 1980s and ’90s, doors opened wider. Artists like Gloria Estefan, Selena, Ricky Martin, and Shakira brought bilingual and Spanish-language music into the American mainstream.

In the 2000s, regional sounds took hold — reggaeton, banda, norteño — telling stories about immigration, work, and daily life.