Spoon is a very solid American indie rock band. They're amazing live and on record. I'm going to play They Want My Soul during this week's episode because I can't find Hot Thoughts and also because it was my favorite thing going when it came out in 2014. They just finished a very long tour, upstaging The Shins on a double bill when I saw them at The Greek, crushing The Masonic, and finally settling down for a bit. Hopefully, that means they're recording and you will have discovered them with this radio show and fall in love before their next release and you'll go to their concert and jump for joy and it was all due to KDRT!
Hey, guys. One of my favorite bands throughout the last 15 years dropped a new album (their 8th). I've listened to it tons and will again for this episode of AOTW ~ via the gray vinyl pre-order that I'm stoked with.
If you're new to Deerhunter, this is as good of a place to start, frankly. They were pretty noisy in the late aughts, which was great. Their last few lps have just been perfect. This one is no exception!
Lots of articles written about this band. Their lead singer, Bradford Cox isn't bashful about his experience as a musician, touring, the Internet affecting his business and his personal struggles with friends dying way too young. Bradford's solo project, Atlas Sound, is also worth checking out.
I hope you enjoy this album. Peace
Sophomore albums are always intriguing to me when an artist's debut was well received. Seems like the pressure is on to do even better on (often) a shorter amount of time.
Courtney Barnett delivered with Tell Me How You Really Feel (May 2018) especially when so many garage-rock-slack-style outfits are putting stuff out there. She's from Australia, where many other cool rock bands are from. Maybe that and her collaboration with Kurt Vile in between releases helped.
Hope you tune in, you nameless, faceless listener, you.
I love this new lp by The Shins. It's very diverse, but still sounds like them.
Can hardly wait for their concert at The Greek Theater in Berkeley with Spoon. Nice bill, but The Shins definitely put out a better record between the two this year.
Sure, the song Heartbeats has 160M plays on Spotify even though it's 10 years old and Veneer is the album everyone first heard José González and his overdubbed crooning... well, except for me. I discovered In Our Nature (2007) first and whether that's the reason or not, it's still my favorite lp by this man. Swedish, you say?
Thanks to a Facebook ad for the Mondavi Center in Davis, I will be seeing him perform with a 20-piece orchestra tomorrow night. Can't wait!
Hope you join the warmup listen with me tonight for this episode of Album of the Week.
As 2016 comes to a close, I've found myself singing some of the lyrics to the 2007 release by Akron/Family; primarily the words sung in the opener "go out and love, love, love everyone..." which is repeated throughout the bookend tracks (and apparently the recipe for getting through tough times in the world). Or the three words of the album title, which stretch longingly in the 3rd song, Don't Be Afraid, You're Already Dead.
Love Is Simple ~ chaos, rock action, tribal bongo-banging, sentimental sing-alongs and pop gems galore. A cast of thousands live and breed inside... (from the sticker on my shrinkwrap). "The most beautiful thing about the Akron/Family is that they are virtually unclassifiable. Is it rock? Post-rock? Acid folk? Freak folk? Free improvisation? Ultimately, who cares what it is, that it IS is what matters most..." ~ All Music Guide
Wand is a band that I discovered because my friend Kaz Mirblouk posted a link to their KEXP live performance and I was floored. Over the course of a few weeks, I found myself gravitating to one of their three studio albums on a daily basis.
This trio has a lot of history with L.A. and Bay Area garage pyschedelic rock artists, such as Mikal Cronin and Ty Segal; performing with, supporting tours and recording with similar producers, such as local legend, Chris Woodhouse.
1000 Days is their most recent lp (2015) so I'll start with it, but there will be time to jump into the other two. As a pround owner of all three on vinyl, I'll be happy to share Wand with you today. [Then again, Kaz has his own awesome record, so maybe I'll fill the time with a few from it. If not, click here: https://kazmirblouk.bandcamp.com]
Wikipedia suggests that they're taking their time with the next album. I hope you'll come away from this episode with eager anticipation of that release. And of course, a TOUR!
Lazy Post Warning: I discovered this album late in 2015. It made a ton of "best of the year" lists. They rocked The Blue Lamp a couple of weeks ago. The vinyl is a pretty green marble. It sounds even better than it looks and it looks fantastic. Here's a link: https://en.wikipedia.org/wiki/The_Agent_Intellect
Stealing a line from this Pitchfork review, "Nearly every proper song on Currents is a revelatory statement of Parker’s range and increasing expertise as a producer, arranger, songwriter, and vocalist while maintaining the essence of Tame Impala: Parker is just as irreverent working in soul and R&B as he is with psych-rock."
I'm not one to rely heavily on P4K, but when they rate an lp 9.3 out of 10, I may give it a try. Currents ended up in their Top 5 for 2015, (Top 3 Reader's Poll) and in my list of fifteen favorite discoveries for the year.
Let It Happen and The Moment drew me in to this solo project and the rest grew on me shortly afterward. I recently picked up the double-lp from Armadillo Music and am pleased to share it during my turn of AoTW. Mr. Parker will be touring (with a full band) at the Greek in Berkeley early September. One of the two nights still has tickets remaining as of this post.
Stolen from a review in NY Magazine when You & Me was released in 2008. I love these opening remarks:
The Walkmen have just made a gem of a rock album, but should anyone care about such a thing? You & Me is an album in the long-format sense of the word. It plays for about an hour, fourteen songs meant to be listened to one after another with undivided attention. It rewards that attention with small pleasures: guitar and organ playing off each other’s reverb, bass and drum dancing in and out of step, horns and vocals collapsing into a single bellow. In essence, it offers that luxuriant buzz that made rock and roll one of the great narcotics of the last half-century.
Settle into this one and hopefully, buy, enjoy, repeat many times over.