Blogs

The KDRT crew broadcasts live from Armadillo Music for 2nd Friday ArtAbout with the amazing Misner & Smith, fresh from their European tour. This event is free, open to all. Stop on by at 6:30 pm, listen to the interview, enjoy the performance, meet the artists! 

Andrew Castro is a Sacramento  based singer songwriter. His new EP "RED HEARTS" is now riding on the EP chart of iTunes. Andrew has been on the show before but now as an up and coming "star" we will talk about his new release. Andrew will be joined by singer/songwriter and producer Casey Groat. Andrew's acoustic upbeat pop styled music is catchy and melodic while providing lyrics that are thoughtful and personal and can relate to anyone who has been in love and out of love in any type of relationship. His live shows are high energy and though he is a solo performer his live looping and the rhythms and sounds created on his guitar provide a sound, power and energy most songwriters don't have. 

This week’s AotW will feature Guy Clark’s quiet little opus The Dark from 2002.  Guy Clark has been writing amazing songs since the early ‘70s and performing regularly up until a few years ago.  His extensive body of work defines the genre of music that has come to be known as Americana.  He’s recorded 20 albums and his songs are finely honed snapshots of everyday folks and scenarios, real and imagined.  Guy Clark’s songs have been recorded by a long list of country music outsiders over the years, including Jerry Jeff Walker, Johnny Cash, Vince Gill, and Ricky Skaggs.  He’s also a master luthier, and The Dark is named after one of his guitars.  Though The Dark didn’t spawn any breakout songs, it shows Clark at the age of 60 still at the top of his powers as a writer and performer, evoking quiet moments of reflection and observation.   Dug Deep is this week's host.

Cold weather? Time for bossa nova! Coming up at 8 pm tonight -- Classic performances by: Cal Tjader * Charlie Rouse * Kenny Burrell * Luiz Bonfa, Oscar Castro Neves and Lalo Schifrin * Paul Desmond * Jim Hall * and the master himself, Antonio Carlos Jobim. Vocals by contemporary artists Ana Caram and Eden Atwood, and a selection from a brand new album by Northern California’s own Fabiana Passoni. Jazz After Dark replays Thursdays at 11 pm, and Saturdays at 9 pm.

The Reverend Shawn Amos Loves You is written and sung by Shawn Amos, who delivers classy, old-school blues with a raspy yet soulful voice that sounds like it came straight out of a church choir. The music on the LP is full of energy and refreshingly raw, and the production lets the musicianship and the artistry do the talking. The album has all the blues chords, with a thumping bass, saxophones, and smooth, melodical electric guitar. 

The Reverend Shawn Amos Loves You is so upbeat and energetic at points that it could be mistaken for a Black Keys album, especially on the tracks "You're Gonna Miss Me (When I Get Home)" and "Joliet Bound." However, this is a blues album, and any blues album would be incomplete without some midtempo, reflective tracks like "Days of Depression" and "The Last Day I'm Loving You." Shawn Amos didn't reinvent the wheel with this LP, but it is defenitely good enough to warrant a listen or two, especially for fans of the blues.

Thank Your Lucky Stars strikes a notably downcast tone and posture when stacked next to Depression Cherry. There’s nothing about these songs that is outright melancholic, but there’s also nothing that reaches the same shimmering highs as, say, “Levitation” or “Space Song” on the earlier work, either. The closest this record comes to matching that level of majesty is the album opener “Majorette” and the closing track “Somewhere Tonight.”

Sandwiched between those two songs is an array of fantastically subdued and beautifully constructed dreamy psych-pop offerings that each possess their own unique vibe. Beach House has mastered the art of space by this point and seems to have an instinct for how long to drag out a keyboard melody or a guitar line before bringing in another element to keep things from bogging down. This is especially true on “Elegy To The Void,” which is carried along at a meandering pace by the same reverb-drenched guitar melody pattern, shifted into different chords and matched by an atmospheric synth.

Sound and Color is the second studio album by Alabama Shakes, an American alternative rock band that has found fantastic success in their short but strong career. Sound and Color is an atmospheric and sometimes psychadelic blend of blues rock, funk rock, R&B, and soulful Americana. Lead singer Brittany Howard powerfully sings mulitple songs on the record, most notably "Gimme All Your Love" and lead single "Don't Wanna Fight." However, the songs in which Howard's vocals aren't as loud can be just as impressive, including single "Future People" and the dreamily psychadelic "Sound and Color." The group has never been more cohesive, seamlessly merging danceable funk guitar beats with blues chords in a way that feels fresh and innovative while staying grounded. Alabama Shakes have dodged a sophmore slump, creating a truly original album that will delight fans of the group while introducing the band to a broader, more diverse audience. Simply put, Sound and Color is an excellent album worthy of multiple listens and many accolades.

Stolen from a review in NY Magazine when You & Me was released in 2008. I love these opening remarks:

The Walkmen have just made a gem of a rock album, but should anyone care about such a thing? You & Me is an album in the long-format sense of the word. It plays for about an hour, fourteen songs meant to be listened to one after another with undivided attention. It rewards that attention with small pleasures: guitar and organ playing off each other’s reverb, bass and drum dancing in and out of step, horns and vocals collapsing into a single bellow. In essence, it offers that luxuriant buzz that made rock and roll one of the great narcotics of the last half-century.

Settle into this one and hopefully, buy, enjoy, repeat many times over.