Davisville Archives

Music programs are only online for two weeks after they are broadcast.

Davisville, 2/18/13: The 'other Davis' with the Vanguard's David Greenwald

At the end of 2012, Davis Vanguard owner David Greenwald wrote and posted an essay about “the other Davis,” or the aspects of our town not necessarily reflected in Davis’ college-educated, affluent image. On today’s Davisville we talk about what he means, as well as the nearly 7-year-old Vanguard itself, which he says has about 6,000 core readers and took in about $50,000 last year.

Davisville, Jan. 21: Impressions from their first six months

Davis voters elected Lucas Frerichs, left, and Brett Lee to the City Council in mid-2012. On the current Davisville they discuss what they’ve learned and observed from their first six months, on subjects including the pace of change, the upcoming water rates election, and downtown retail. The interview appears in two halves: part one airs Jan. 21-Feb. 2, and part two (now available at http://www.kdrt.org/node/11443) will air Feb. 4-Feb. 17.

This journalist helped convict a Davis killer

Joel Davis is a hometown Davis journalist whose book “Justice Waits: The UC Davis Sweetheart Murders” played a key role in solving the 1980 Davis kidnapping and murder of “two stellar kids,” UC Davis students John Riggins and Sabrina Gonsalves. In December 2012, 32 years to the month after the slayings, a Sacramento Superior Court jury convicted Richard Hirschfield of first-degree murder for killing Gonsalves and Riggins, who were both 18.

UC Davis greenhouse expert Garry Pearson reports back from Iraq

Twice this year, Garry Pearson has gone to Iraq as part of a program to help Iraqis grow more vegetables. He oversees about 160 research greenhouses at UC Davis, and an ag project recruited him as a technical expert. On today’s Davisville he talks about what he saw. Pearson wanted to “see what’s going on [after the U.S. war] ... It’s my own natural curiosity. I know I have technical skills that can be passed on to different people, if it’s presented in the right way. On the ground my experience was just meeting the people everyday, the day-to-day folks. I got the opportunities to be out and to mix.”

He spent his time in Kurdistan, the less-violent northern part of the country, working with Kurds, Shias and Sunnis. Pearson describes both tension and reasons to hope—hotel guards with AK-47s, and a lively democracy. A few years ago he went to Bosnia-Herzegovina. Afghanistan is probably next. “Davis,” he says near the end of the show, “needs to get out and see the rest of the world.”

‘Hobbit,’ year-end films, and great projections in Davis theaters

yolo archiveDavis film critic Derrick Bang returns to Davisville this week to talk about some of the big December movies, including The Hobbit debuting Dec. 14, and Quentin Tarentino’s Django Unchained “southern,” which opens on Christmas. We also take up related questions about movies, such as the continuing slump in ticket sales. He blames the degraded experience of going out to a movie, including the pre-show commercials and mediocre presentation—but says the three Davis theaters do a consistently good job in sound and projection. Maybe that’s a selling point for a city banking on arts and entertainment as a major draw for downtown. We also get Bang’s take on the best, and worst, holiday movies through the years. His list of the best is thin on recent titles, compared to his list of the worst.

New Davis theater group opens with a ghost story, 'Woman in Black’

yolo archiveToday’s guests are Brianna Owens (far left) and Steph Hankinson from Common House Productions, a new theater troupe that is producing its first show, "The Woman in Black," in Davis. The play will debut at 8 p.m. on Halloween, in what they describe as a "huge, really creepy" backyard with a campfire pit on Loyola, and run through Nov. 11. Owens and Hankinson, vets of local theater who met at Sacramento State, are co-directing the play. On Davisville they talk about "The Woman in Black," their plans for Common House, why they created a new theater company, the co-operative structure of their enterprise, why they opened with a strong narrative story where the sound is a defining part of the experience, and what they’d like to do next.

Subscribe to Davisville Archives