Dashboard Diaries -- Dec. 18, 2025

This week on Dashboard Diaries, host RayK recharges your battery and checks your alignment with an hour of songs designed to relax and entertain…. Take a break from the hustle and bustle of the season and enjoy some Traffic, Taj Mahal, Drifters, Little Anthony and the Imperials and much more. Thursday, 3-4 p.m. on KDRT.org or anytime at Dashboard Diaries

Jazz After Dark, Dec. 16, 2025

On tonight's show:

  • Ella Fitzgerald, Holiday in Harlem (feat. Chick Webb and His Orchestra)
  • Joe Holiday, Blue Holiday
  • Louis Armstrong & Benny Carter and His Orchestra, Christmas in New Orleans
  • Benny Carter, Roses in December
  • Duke Ellington, December Blues
  • Vince Guaraldi Trio, Christmas Time Is Here
  • Vince Guaraldi Trio, Greensleeves
  • Wes Montgomery, Snowfall
  • Toshiko Akiyoshi, Santa Claus Is Coming to Town
  • Art Pepper, Winter Moon
  • Chet Baker, Silent Night
  • Charlie Byrd And The Washington Guitar Quintet, Concierto De Aranjuez
  • Al Di Meola, Etude

Davisville, Dec. 15, 2025: Crest movie palace focuses on its next era

The Crest movie theater in downtown Sacramento has changed its mix of attractions several times during its long history — the vaudeville-era graffiti near the top of the curtains is one sign of that — and owner Bob Emerick has begun to revise the mix yet again. 

Emerick, who bought the theater in 2011 and resumed managing it this year, says it’s still possible to run a movie palace like the Crest as a business. “I think it is. You have to look at the niche markets. I think ethnic programming is far too underrepresented in Sacramento. Bollywood, for instance.” So that’s one opportunity. Community events, such as graduations, are another draw, as are $2 tickets to movies that attract crowds of people who want to watch a familiar film with their friends. Plus concerts.

“You have to hustle. You have to adapt. You have to find entertainment for the venue,” he says. And a note for Davis: “Davis is absolutely key to keeping the Crest Theater alive,” says Emerick (an engineer who has three degrees from UC Davis), “because of the number of patrons from Davis.”

(Photo shows Davisville host Bill Buchanan inside the Crest before a Bruce Cockburn concert in November 2023.)

Replay of The Folk Brothers from Aug. 31, 2022: More songs about miners

Last week, we played a few sets of songs about coal mining. Then the folk music police saw our playlist and informed us that we needed to be more inclusive, so this week we've diversified a bit and included a few songs about hard rock miners too. But mostly more songs about coal from the likes of Jean Ritchie (pictured), Jez Lowe, Caroline Herring, Doc and Merle Watson, Merle Travis, and Hazel Dickens and Alice Gerrard.

Electric Compost Heap — Dec. 12, 2025

Tonight at 6 p.m. pst on The Electric Compost Heap, DJ Dug Deep will be the first to open the Winter Holiday/ Christmas/Christmas adjacent music vault for 2025! We promise, it won't be wall-to-wall Christmas shopping mall pablum. Rather, we will mix in some rarely heard holiday fare – we will not overdo nor overwhelm, but you will definitely notice a running theme. Hey, someone has to do it! Hope you can join us at KDRT.org

Escuchando Letras, or Hispanic music in America, on Listening Lyrics, Dec. 12, 2025

When we talk about Hispanic music in America, we’re talking about a story that’s been here all along.

In the 1950s and ’60s, this music lived mostly inside the community. Mexican rancheras and mariachi carried stories of home and heartbreak. Cuban rhythms like mambo and cha-cha-chá filled dance halls. Spanish-language radio became a cultural lifeline.

By the 1970s, identity moved front and center. The Chicano movement gave music a political voice. Santana blended Latin rhythms with rock, and salsa exploded in New York. This music wasn’t asking for permission anymore — it was claiming space.

In the 1980s and ’90s, doors opened wider. Artists like Gloria Estefan, Selena, Ricky Martin, and Shakira brought bilingual and Spanish-language music into the American mainstream.

In the 2000s, regional sounds took hold — reggaeton, banda, norteño — telling stories about immigration, work, and daily life.