Jazz After Dark May 21st, 2013
Tue, 05/21/2013 - 7:37pm | Don ShorAn hour of legendary jazz artists, from 1930 to 1993.
An hour of legendary jazz artists, from 1930 to 1993.
This blog post will explain equipment use, scene setup and good interview practices when engaging in in-field audio recording.
KNOW YOUR RIG
A rig is the common term for your recording gear. It usually consists of a recording unit, a mic, headphones and any other peripherals needed.
While DMA will be purchasing its own rig, it will help to know what a quality rig looks like. Here's a look at a rig with equipment that could buy from a website like B&H:
audio recording unit, like a flash recorder-directly to hard disk
extra flash cards, like compact flash cards from lexar.
pen and pencil for notes- don't forget!
headphones- 100.00 standard- Sony Sig MDR-V6
Rhode N2- shotgun. Audio Technica A-22.
Wind sock /Softy - Used to block the wind from ruining the recording
Pistol grip for mic - use the grip, sitting down, and only recording for
half-hour to 3 hours max
New and Used plastic baggies for batteries.
USB cord for downloading.
Manual for audio recorder
Talent Releases.
Blues, boogie woogie, and New Orleans jazz
1959: a milestone year in jazz!
Benny Goodman * Buddy Tate * Ella Fitzgerald * Roland Kirk * Eddie "Lockjaw" Davis * Tony Bennett And The Count Basie Orchestra * Ahmad Jamal * Cannonball Adderley & Bill Evans * Gabor Szabo * Earl Hines * Chris Clark Quintet
Featuring Tommy Flanagan!
Bechet, Bostic, and Bossa Nova.