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ABOUT US

KDRT 95.7 FM is grassroots radio from Davis, CA, airing an eclectic mix of music and public-affairs programming. A project of nonprofit Davis Media Access, KDRT streams worldwide via KDRT.org.

 

OUR PROGRAMS

Crossing Continents

In this World Music show, Gil covers the Middle East, the Mediterranean region, North Africa, Central Asia, and the Indian sub continent, including traditional and contemporary musical styles. This is not a pop music show!

Live Monday 10am-12pm
Replays Sunday 12-2pm
DJ(s): 
Gil Medovoy
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Sounds So Sweet

Sounds So Sweet Program Picture KDRT

Host Wayne Hagen takes a lively look at sweet sounds of jug band music, past and present.

Live Tuesday 1-2pm
Replays Monday 10-11pm, Friday 10-11pm
DJ(s): 
Wayne Hagen
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In the Key of Folk

In the Key of Folk with Karen Leyse offers music that will keep you humming or dancing along — perhaps both! The focus is on traditional and current folk music, Americana, and bluegrass, with Celtic, Nordic, and Spanish infusions — wherever Karen's travels and interests take her. In addition, the music of contra dance, an American Folk tradition that came with English and other settlers, will often be threaded through the hour. Don’t know it? Check it out.

Live Wednesday 2-3pm
Replays Tuesday 11am-12pm
DJ(s): 
Karen Leyse
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The Russ Tolman Goodtime Hour

The Russ Tolman Goodtime Hour graphic

Russ hoists anchor and sails the sonic seas near and far to discover and recover pleasingly eclectic, genre-defying musical nuggets new and old, fresh and classic. Russ will attempt to amaze with his smooth segues.

Live Thursday 9-10pm
Replays Friday 7-8am
DJ(s): 
Russ Tolman
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Na Mele O Hawai'i

Flower at Moanikeala

Join host Beth Post as she features the unique sounds of Hawaiian music — from early icons of island music to today's innovators — exploring styles, the history of the genre, and revered songs and performers.

Live Thursday 1-3pm
Replays Wednesday 10am-12pm, Saturday 11am-1pm
DJ(s): 
Beth Post
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More programs ...

Jazz After Dark, May 10, 2022

Tue, 05/10/2022 - 5:00pm | Don Shor

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Tonight on Jazz After Dark: Anita O Day with Roy Eldridge and Gene Krupa, and then with Stan Kenton. We’ll hear Joe Holiday, Peggy Lee , Nat "King" Cole and His Trio, Milt Jackson & Ray Charles, Art Blakey & The Jazz Messengers, Ella Fitzgerald & Paul Weston and His Orchestra, Charles Mingus, Buddy DeFranco Quartet, Earl "Fatha" Hines, Eddie Harris, and Shirley Horn.

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Davis Garden Show, May 5, 2022

Thu, 05/05/2022 - 12:00pm | Don Shor

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Today we revisit tomato varieties and issues, plus discuss whiteflies, blossom end rot, and more.

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The Folk Brothers for May 4, 2022: Curlew sounds in the Simmerdim

Wed, 05/04/2022 - 11:10am | Peter Schiffman

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It's getting to be the time of year when the Arctic Circle experiences "Simmerdim," the Scottish term for the long twilight when the sun drops just below the horizon for only a few hours each night. Orcadian singer-songwriter Merlyn Driver's forthcoming album honors the (now endangered) Eurasian Curlew, which wades and sings on the shorelines of those northern islands, during those hours of dim light. Proceeds from his forthcoming album Simmerdim: Curlew Sounds will support efforts by the Royal Society for the Protection of Birds to restore Curlew habitat.

The Folk Brothers playlist for 05/04/2022
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Jazz After Dark, May 3, 2022

Tue, 05/03/2022 - 5:00pm | Don Shor

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Tonight on Jazz After Dark: Sidney Bechet, Benny Goodman, The Mills Brothers, Erroll Garner, Gene Krupa, Oscar Peterson, Etta Jones, Jean-Pierre Sasson, Wes Montgomery, Herbie Mann, Freddie Hubbard, Trudy Desmond, Bud Shank, and Christian Mcbride

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Davisville, May 2, 2022: By finding tiny crocheted Triceratops, UC Davis students are finding each other

Mon, 05/02/2022 - 5:30pm | Bill Buchanan

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As the Covid pandemic dials down in Davis, people are finding different ways to reconnect. Today’s story presents a way that’s off the scale in charm and whimsy -- it involves tiny crocheted triceratops that students are making and hiding on the UC Davis campus, for other students to find. Just for the fun of doing it. A Discord server for the project has more than 3,400 members so far, and Berkeley might be next.

Today we hear from the founder and two co-leaders of the Davis Triceratops community: UC Davis undergraduates Jennine Eng, Ada Lei, and Sebastian Carpintero. This photo (from left) shows Ada, Jennine, and Sebastian with three of the hundreds of dinosaurs created so far.

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Alex Jenkins discusses his music and life as a percussionist, on Listening Lyrics, April 29, 2022

Fri, 04/29/2022 - 5:10pm | Pieter Pastoor

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Due to his in-depth study of the music of different cultures, Alex Jenkins' playing transcends musical traditions and boundaries. His expression of rhythm is heavily influenced by his study of tabla (a north Indian classical percussion instrument), and he is known for his creative approach to music and for his unique ability to fuse rhythmic ideas from various disciplines into one cohesive sound.

Alex has studied music, drums and percussion at California State University Sacramento, the Ali Akbar Khan School of Music in San Rafael, and Drummers Collective in New York. He spent three months in India studying north Indian music. He performs and records regularly, around California and beyond, playing a variety of music (on both drums and tabla) including jazz, Afro-Cuban, rock, blues, fusion, Indian classical, and just about everything in between.

Alex leads The Alex Jenkins Trio, which keeps a very busy performing schedule. He also teaches workshops and clinics for various schools, including Sacramento State, American River College, Cosumnes River College, California College of the Arts in Oakland, UC Merced, and many more. His extensive private teaching roster has more than 50 students per week. He will appear with the trio on:

  • 5/2  @ Luna's Cafe Sacramento, 8 p.m., all ages
  • 5/6 @ Drakes (West Sacramento), 6-9 p.m., all ages
  • 5/15 @ Jets (Sacramento, Midtown), 7:30-10 p.m., all ages
  • 5/21 @ Shady Lady (Sacramento), 8-11 p.m.
  • 7/8 @ Morgan's Mill (Woodland), 7-9 p.m., all ages

  • Read more about Alex Jenkins discusses his music and life as a percussionist, on Listening Lyrics, April 29, 2022

Davis Garden Show, April 28, 2022

Thu, 04/28/2022 - 12:00pm | Don Shor

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On today's program: watering during drought restrictions, information about vernal pools, and much more.

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The Folk Brothers for April 27, 2022: Transatlantic collaborations

Wed, 04/27/2022 - 11:10am | Peter Schiffman

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This morning we presented tracks featuring exciting new musical collaborations between American and Scottish artists: Orcadian Kris Drever and Rachel Baimans' cover of Eliza Gilkyson's "Hard Times In Babylon"; Heidi Talbot and Lousiana-based Dirk Powell with "Empty Promise Land"; and Brooklyn-based Hannah Read (fiddle) and Michael Starkey (banjo), who met at an Appalachian old-time musical session in Edinburgh.

Also today: new tracks from Kate Rusby with Ladysmith Black Mambazo, The Unthanks, Peter Rowan, Nashville Honeymoon, and more!

The Folk Brothers playlist for 04/27/2022
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Jazz After Dark, April 26, 2022

Tue, 04/26/2022 - 5:00pm | Don Shor

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Tonight on Jazz After Dark, five longer pieces:

  • Johnny Hodges and the Ellington Men -- Texas Blues (1957)
  • Grant Green -- Blues in Maude's Flat (1961)
  • Don Ellis -- Image of Maria, live in India (1978)
  • Ramsey Lewis Quintet -- Blues for the Night (1973)
  • Gabor Szabo -- Impression of My Country / Foothill Patrol, live in Stockholm (1970s recordings released in 2001)
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Album of the Week: Procol Harum's 'Shine On Brightly'

Mon, 04/25/2022 - 5:38pm | Pieter Pastoor

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This information comes from Wikipedia:

English rock band Procol Harum recorded Shine On Brightly in 1967 and 1968 in London, and released it on A&M in September 1968. Denny Cordell produced. The record clocks in at 39 minutes and 9 seconds. It's considered an early example of progressive rock, and usually gets classified in the genres of progressive, art, and/or psychedelic rock.

The album's single, "Quite Rightly So," failed to repeat the success of Procol Harum's first two singles ("A Whiter Shade of Pale" and "Homburg"), but the album was a commercial success in the United States, outperforming their first album. It didn't chart in the band's home country, but reached #26 in Canada.

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