The Audio Ecotone

Since our interview with Nicole Laurenne included far more great topics of discussion than could be contained in a single hour, we're posting some of the exerpts from the interview that didn't make it to air. In these selections, Nicole discusses touring and maintaining a 50-year-old Farfisa Fast 3 organ, visiting the Farfisa in Italy, the differences in artist support between Europe and the US, how she manages her downtime, catching a surprise Mystery Lights show in the UK and the visual aspects of her performance. We hope you enjoy them as much as we loved hearing them.

It may have lacked the jazzy groove of the Hammond B3 or the soulful sophistication of the electric piano, but the raspy, wheezy, oh-so-slightly out-of-tune electronic whine of the combo organ was in integral part of the garage and psychedelic sounds of the 1960s and beyond. While the name of one of the largest manufacturers -- Farfisa -- is often used to refer to them, a number of manufacturers produced these instruments during their heyday in the 1960s and 1970s: Vox, Yamaha, Gibson, Fender, Acetone, Elka, Cordovox, Rheem (yes, the water heater folks) and a bunch more. Though they were supplanted by digital synthesizers in the 1980s, their distinctive sound can still be heard today not only in rock, but also in jazz, international, alternative and even contemporary classical music.

On this week's Audio Ecotone, we explore some of these sounds with selections from The Sir Douglas Quintet, Stereolab, Elvis Costello, The Darts, Dengue Fever, Steve Reich and more.